
Beliebte E-Pianos
Alle E-PianosBeliebte Stage-Pianos
Alle Stage-PianosStagepiano
Kawai MP11SE Stage-PianoKeyboard
Yamaha YC-61 Stage KeyboardBeliebte Synthesizer
Alle SynthesizerSynthesizer
Yamaha Reface DXSynthesizer
Modal Argon8Beliebte Keyboard
Alle KeyboardBeliebte Digitalflügel
Alle Digitalflügel% Reduzierter Preis bis 10.Apr -Solange der Vorrat reicht 10.Apr
268 € 108 € Inkl. 19% MwStSie können uns jederzeit per Chat kontaktieren, wenn wir online sind, oder uns eine E-Mail an info@digitalpiano.com senden.
Brofogedvej 10
2400 Kopenhagen NV
Denmark
Man - Fre: 10.00 - 17.30, Lør: 11.00 - 14.00
Engmarken 22
8220 Brabrand
Denmark
Mon - Fri: 10.00 - 17.30, Sat: 11.00 - 14.00
You can always contact us by phone +45 38 10 08 44 from 10 am to 5.30 pm or by e-mail info@digitalpiano.com, which we will answer within 24 hours on workdays.
EastWest teamed up with Anthony Marinelli, synth mastermind behind Michael Jackson's Thriller, to make sure everything in ICONIC sounded true to the original productions of the world’s mega hits. Sampling rare vintage synthesizers like the ARP 2600, Minimoog Model D, Oberheim OB-X, Sequential Prophet 5, Yamaha CS-80 and the Synclavier II, EastWest has skillfully recreated some of the most iconic sounds in music history and turned them into modern virtual instruments.
ICONIC’s user interface centers around an FX Pad with 4 selectable Macro Effects that modulate multiple parameters simultaneously. Blending a vintage knob-per-function design, with sleek modern styling, all of ICONIC’s controls are easily accessible in a single page. Shape these ICONIC synth sounds from the dual filters that can be modulated, an advanced 16-step arpeggiator, multi-mode portamento (glide), and a bevy of effects to widen, pulse, distort, delay, and spatialize the final sound.
While ICONIC features synths and sounds used in classic songs that have sold hundreds of millions of copies, it's not stuck in any one time period. After recording these rare synthesizers in historic EastWest Studio 1, the producers also sent the sounds to analog tape machines (including a tube Studer J37) and pushed them to levels to create tape saturation and harmonic distortion for an alternative modern sound. The instruments were also re-amped in EastWest Studio 2, using multiple mic positions so the studio sound could be added to the direct sounds, a technique that was often used by Thriller recording and mixing engineer Bruce Swedien.