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Yamaha CSP-295GP Kiiltävä Musta% Sale until 25.Apr -Niin kauan kuin tavaraa riittää 25.Apr
269 € 108 € sis. 25.5% ALVYou are always welcome to contact us via chat if we are online, or send us an email at info@digitalpiano.com
Brofogedvej 10
2400 Copenhagen NV
Denmark
Man - Fre: 10.00 - 17.30, Lør: 11.00 - 14.00
Engmarken 22
8220 Brabrand
Denmark
Mon - Fri: 10.00 - 17.30, Sat: 11.00 - 14.00
You can always contact us by phone +45 38 10 08 44 from 10 am to 5.30 pm or by e-mail info@digitalpiano.com, which we will answer within 24 hours on workdays.
Olemme myyneet suomalaisille
asiakkaille vuodesta 2015
EastWest teamed up with Anthony Marinelli, synth mastermind behind Michael Jackson's Thriller, to make sure everything in ICONIC sounded true to the original productions of the world’s mega hits. Sampling rare vintage synthesizers like the ARP 2600, Minimoog Model D, Oberheim OB-X, Sequential Prophet 5, Yamaha CS-80 and the Synclavier II, EastWest has skillfully recreated some of the most iconic sounds in music history and turned them into modern virtual instruments.
ICONIC’s user interface centers around an FX Pad with 4 selectable Macro Effects that modulate multiple parameters simultaneously. Blending a vintage knob-per-function design, with sleek modern styling, all of ICONIC’s controls are easily accessible in a single page. Shape these ICONIC synth sounds from the dual filters that can be modulated, an advanced 16-step arpeggiator, multi-mode portamento (glide), and a bevy of effects to widen, pulse, distort, delay, and spatialize the final sound.
While ICONIC features synths and sounds used in classic songs that have sold hundreds of millions of copies, it's not stuck in any one time period. After recording these rare synthesizers in historic EastWest Studio 1, the producers also sent the sounds to analog tape machines (including a tube Studer J37) and pushed them to levels to create tape saturation and harmonic distortion for an alternative modern sound. The instruments were also re-amped in EastWest Studio 2, using multiple mic positions so the studio sound could be added to the direct sounds, a technique that was often used by Thriller recording and mixing engineer Bruce Swedien.