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Analog Modeling Synthesizer, 37 key semi-weighted action keys, Analog modeling synthesis, Maximum Polyphony: 60 voices.
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• Mulighet for innbæring med Monteringspakke (Oslo)
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• Salg til norske kunder siden 2012. Vi er momsregistrert i Norge, derfor vil det ikke være ekstra tollkostnader ved bestilling.
Inspired by the legendary KORG Mono/Poly, the new KORG
multi/poly analog modeling synthesizer delivers breathtaking analog
sounds combined with extraordinary digital power and
flexibility.
The original Mono/Poly boasted an unusually rich sound from its
four stacked oscillators, as well as unique, experimental features
like flexible x-mod and sync routing and round-robin oscillator
triggering. Previously only attainable in large modular systems,
the Mono/Poly delivered these features in a compact, user-friendly
instrument.
The new multi/poly is the first instrument to use KORG's
next-generation analog modeling technology and builds on that
legendary distinctive combination of big sounds and modular-derived
experimental features. It is like a polyphonic modular system in a
compact, hands-on package – a limitless playground for synth
players and sound designers. Create hardware mash-ups with
East-coast, West-coast, and wavetable oscillators and a wide
selection of newly-modeled filters. Make them come alive with
models of different envelope, VCA, and portamento circuits. Virtual
voice cards produce organic timbral variation. Layer Rotate
triggers new Programs with each press of a key. Plus Kaoss Physics,
Motion Sequencing 2.0, massive modulation, and more.
The multi/poly features redesigned, incredible-sounding filters
and oscillators – and its advances in analog modeling go so much
deeper. To start with, each voice has a Virtual Voice Card whose
oscillators, filters, envelopes, LFOs, and portamento circuits
model analog hardware component variations. The result is that each
voice has a slightly different character, creating naturally rich
timbres. Dial in as much or as little of this variation as you
like, separately for each sound.
Just like in an analog synth, voice cards also continue to play
even if you are not hearing them. Envelopes keep evolving, so that
if you play a pad with a long release time, newly played notes
"catch" the envelope at its current level instead of restarting
from zero. Oscillators and LFOs maintain their phase, and resonance
continues to ring. Each oscillator’s pitch can also drift slightly
over time, modeling the slight pitch instabilities found in analog
hardware.
Envelopes are an often-overlooked factor that contributes to the
unique sounds of vintage synths. The multi/poly includes envelope
curvature presets for the Mono/Poly, MS-20, "Mini," "Pro," ARP
Odyssey, and more. Also, analog VCAs do not respond evenly to
voltage, and have different thresholds for turning on and off,
which in turn has a strong effect on the Amp Envelope's character.
So, the multi/poly features modeled VCA responses from the
Mono/Poly, MS-20, Mini, Odyssey, and Prophet 5, as well as a linear
option.
Ever tried to re-create a portamento effect from a favorite song,
but could not find the right setting even when you switched between
"constant rate" and "constant time?" Classic analog synths had
different approaches to portamento, too, and so the multi/poly has
six different portamento models to choose from.
The multi/poly offers FOUR oscillators per Program, for
unusually thick, complex tones. Each can use the Classic, Digital,
or Waveshaper oscillator types. The Classic oscillator models
traditional analog synth oscillators with stunning fidelity and
effortless thickness. 11 options include both single and dual
waveforms, for modeling synths that generated multiple waveforms at
once. Front panel knobs give you hands-on control of pulse width,
triangle "lean", dual-waveform blend, and more.
The Digital oscillator plays wavetables with up to 64 steps, like
vintage hybrid synths and modern eurorack modules. Start with over
200 factory wavetables, or load your own using the Editor/Librarian
software for macOS and Windows. Import modwave wavetables directly,
or convert wavetables from popular software formats. Use the 30+
Modifiers to change the way that the tables are loaded, resulting
in subtle to extreme changes in timbre, and 8 Morph Types like
Stretch, Flip, and Mirror to process them in real-time.
Waveshaper offers a "West-Coast" approach, in which simple
waveforms (sine or triangle) are processed through a shaper table.
Modulating gain into the shaper creates glassy, dynamic harmonics.
Use the Berkeley shaper for traditional wavefolder timbres, or
select from over 90 other shaper types. The multi/poly also adds
modulatable pulse width, a unique twist, for another dimension of
richness and motion.
In addition to oscillators 1-4, there is a separate noise generator
with dedicated filtering and saturation, and a ring modulator with
inputs from all of the above.
The multi/poly also expands on the original Mono/Poly's powerful
oscillator sync and x-mod capabilities, for timbres otherwise only
possible with a large modular setup. Create unique sounds with
Oscillators 2, 3, and 4 simultaneously following Oscillator 1 for
sync, x-mod, or both at once. Alternatively, split either function
into oscillator pairs with separate control.
All of the multi/poly's filters are newly redesigned, including
an amazing suite of vintage filters with authentic euphonic
saturation. To start with, there are five different 4-pole
self-resonating models. M/Poly provides the strong, sweet sound of
the classic Korg Mono/Poly. Mini is the ladder filter from a
beloved American mono-synth; resonance is reduced at low
frequencies, critical for producing those classic bass sounds. Pro
is from the first programmable polyphonic synthesizer, with strong
resonant sweeps all the way down. Finally, Ladder HP and BP are
4-pole self-resonating highpass and bandpass filters,
respectively.
The MS-20 LP and HP 12dB/octave self-resonating "Korg 35" filters
lovingly recreate the distinctive, aggressive timbral signature of
the classic Korg MS-20. The SE M/P 2-pole filter is more gentle in
character, and features a continuous control to sweep between
lowpass, band reject, and highpass, plus a separate bandpass
mode.
You can also shape and refine with a full collection of linear,
resonant 2-pole and 4-pole lowpass, highpass, bandpass, and band
reject filters. Or, step outside the box with KORG’s unique Multi
Filter, which creates modulatable blends of multiple modes
simultaneously.
Inspired by KORG’s classic Mono/Poly and its combination of big sounds and modular-derived experimental features, the multi/poly produces amazing analog timbres with the flexibility, power, and high polyphony that only digital technology can provide.
EAN | 4959112245433 |
---|---|
Tilstand | new |
Produsent | Korg |
Polyphony | 60 |
Mekanik | 37 key (velocity and release-velocity sensitive) |
Bluetooth | Nei |
Sound Source | Analog modeling synthesis |
Effects | Each Layer has three dedicated effects, plus a send to the Performance's master reverb, followed by a master parametric EQ |
Other functions | The multi/poly has four Layers, Kaoss Physics models, Multi-lane Motion Sequencing 2.0, Dual modeled filters, Editor/Librarian software |
Pedal | DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch, (sold separately) |
Bredde | 56.6 cm |
Dybde | 31.9 cm |
Height | 9.3 cm |
Vekt | 3.5 kg |
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